Weekend Box Office (June 1 - 3, 2007)
by Gitesh Pandya
THIS WEEKEND Disney still claimed the most popular film in the land with Pirates of the Caribbean: At World's End despite a drop that was sizable even by tentpole standards. Universal generated a stronger than expected debut for its new adult comedy Knocked Up which pushed its way into the runnerup spot sending Shrek the Third down to third in weekend number three. For the first time in over a year, three different films grossed over $25M each in the same weekend. But the overall marketplace posted numbers typical for early June and did not flex the kind of muscles the industry would expect when three of the most expensive films ever made were all playing.simultaneously.
Johnny Depp was still king of the world and collected $44.2M for At World's End in its second weekend in theaters, according to final studio figures. Down a sharp 62%, the latest high seas adventure has now taken in a solid $217.5M worth of treasure in ten-plus days of release. The drop was identical to the fall that Spider-Man 3 suffered in its sophomore session last month but larger than the 54% decline witnessed by Pirates of the Caribbean: Dead Man's Chest last July.
Sophomore drops for other effects-driven action pictures debuting over the Memorial Day holiday frame include 67% for last year's X-Men: The Last Stand and 60% for 2004's The Day After Tomorrow. Those two films saw their ten-day cumes account for 75% and 70% of their final cumes, respectively. Based on its opening and sophomore drop, At World's End may end up with $310-320M domestically. Though it would be significantly behind the $423.3M of Chest, the third chapter will still collect a lot of loot in North America.
Just like with Spider-Man 3, At World's End is holding up better in offshore markets. The Captain Jack saga grossed an estimated $105.4M internationally this weekend dropping only 46% from last weekend's Friday-to-Sunday period. That puts the overseas tally at an amazing $408.8M after less than two weeks and the worldwide cume at a towering $626M with 65% coming from abroad. Chest saw 60% of its sales come from international waters. At World's End looks to be on course to gross at least $850M globally and could certainly sail past the $900M mark too.
Delivering a healthy opening in second place was the new pregnancy comedy Knocked Up with $30.7M in its first weekend. Averaging a very fertile $10,690 from 2,871 theaters, the R-rated pic debuted 43% stronger than writer/director Judd Apatow's last film The 40-Year-Old Virgin which bowed to $21.4M from a similar number of theaters in August 2005. After a month of big-budget sequels, Knocked Up served as a breath of fresh air in the marketplace. Critical praise, a lack of comedies for adults, and a marketing campaign that reminded moviegoers of the director's last work all helped to bring in ticket sales that led to the best per-theater average of any wide release.
Universal's research showed that 57% of the audience was female and 56% was over the age of 30 for the Seth Rogen-Katherine Heigl comedy. Knocked Up's long-term playability looks strong given that 92% of audiences polled rated the film "excellent" or "very good." Virgin went on to gross five times its opening weekend take ending up with $109.3M. Especially impressive was Knocked Up's ability to approach the opening weekend numbers of recent comedy hits like Blades of Glory ($33M debut, $9,791 average) and Norbit ($34.2M, $10,904) despite its harsher rating and lack of any bankable A-list star. Plus its $30M production budget will make it easy to become a profitable venture for the studio as an invite to the century club seems guaranteed.
The ogre sequel Shrek the Third fell 47% in its third weekend and finished in third place with $28M. It was a steep drop for this kind of picture at this point in time especially since there was little new direct competition. By comparison, weekend declines of other recent animated films from DreamWorks on the weekend after Memorial Day were 24% for last year's Over the Hedge, 41% for 2005's Madagascar, and 47% for 2004's Shrek 2 which was greatly affected by the record $93.7M debut of the third Harry Potter film. Still, Shrek the Third boosted its total to $255.9M landing it at number 37 on the list of all-time domestic blockbusters, a hair behind rival toon Monsters, Inc. which took in $255.9M in 2001. At its current pace, a final domestic tally of $320-330M could result for the newest ogre tale.
MGM went after older adults with its crime thriller Mr. Brooks and saw a mediocre fourth place debut. The Kevin Costner-Demi Moore pic bowed to $10M from 2,453 locations for a mild $4,084 average. Studio research showed that 57% of the audience was female and 67% was over the age of 30.
Dropping down to fifth place in its fifth frame was Spider-Man 3 which grossed $7.6M, off 47%. Sony has boosted its North American haul to $318.3M putting it at number 17 on the list of all-time domestic hits just ahead of the $317.6M of 2001's Harry Potter and the Sorcerer's Stone. A final gross of $330-340M seems likely. The international total for the third webslinger has climbed to $526M putting the global gross at an amazing $844M making it the biggest Spider-Man ever worldwide beating out the $822M of the first in the series. The first two installments made roughly 52% of their global box office from overseas markets, but Spider-Man 3 has really exploded abroad with 62% of its current tally coming from outside of North America.
Overall, the box office was healthy this weekend. However, by comparing the top ten cume to the weekend after the Memorial Day holiday in recent years, it's hard to detect that we have three juggernauts in the current marketplace. The $127.5M collected this weekend is about even with the same frames in 2006 and 2005. The tally is below those of 2004 and 2003 when big hits like Harry Potter and Finding Nemo, respectively, opened in those years. The threequels all opened impressively, but are falling faster than even normal tentpole films do. And at their current trajectories, Spider-Man 3 looks to remain the top-grossing of the trio domestically.
Fox Searchlight's indie hit Waitress dropped one spot to sixth with $2M from 605 theaters for a mild $3,327 average. Despite adding 95 theaters, the film dropped by 35% and was probably affected by Knocked Up doing so well with young adult women. But the distributor is being patient knowing that good word-of-mouth will allow many more to eventually find it and will add another 100 screens on Friday. Cume stands at $9.4M.
Girlpower was also behind the number seven film, the soccer drama Gracie, which opened to a poor $1.4M. Averaging a weak $1,165 from 1,164 theaters, Picturehouse's PG-13 pic played mostly to teen girls.
Crumbling 60% in its second weekend was the Ashley Judd horror flop Bug with $1.3M in eighth place. With a measly $6.2M in ten days, look for the Lionsgate thriller to quickly finish its run with only $8M.
Another fright flick collecting $1.2M over the weekend was 28 Weeks Later which fell 52% and boosted the cume for Fox to $26.6M. Rounding out the top ten was the hit voyeur thriller Disturbia with $1.1M in its eighth frame, down 42%, for a $76.7M total for Paramount.
Opening in limited release was the Russian fantasy thriller Day Watch with $46,730 from only five theaters for a solid $9,346 average. The effects-driven sequel to Night Watch has grossed over $30M in Russia making it one of the all-time biggest blockbustrs in that market. Fox Searchlight will expand to eight more cities on Friday.
Three films were pushed out of the top ten this weekend. Buena Vista's hit comedy Wild Hogs grossed $879,839, down 39%, and boosted its stellar total to $164.5M. A final domestic haul of $167M is likely. Universal's Jane Fonda-Lindsay Lohan pic Georgia Rule saw its female audience stolen by the studio's new pregnancy comedy this weekend. The offscreen antics of the younger actress last week didn't help sales either. Rule tumbled 68% to $589,015 raising the disappointing cume to only $18.1M. A $19M final seems set. New Line's Anthony Hopkins-Ryan Gosling thriller Fracture grossed $497,843, off 61%, for a $38.1M total. Look for a decent $39M final.
The top ten films grossed $127.5M which was down less than 1% from last year when The Break-Up opened at number one with $39.2M; and up 2% from 2005 when Madagascar climbed into the top spot with $28.1M in its second weekend.
Compared to projections, Knocked Up opened higher than my $24M forecast while Mr. Brooks debuted very close to my $9M prediction. Gracie bowed below my $3M projection.
For a review of At World's End and a DVD review of Apocalypto, visit The Chief Report.
Be sure to check back on Thursday for a complete summary, including projections, for next weekend when Ocean's Thirteen, Surf's Up, and Hostel 2 all open.
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|#||Title||June 1 - 3||May 25 - 27||% Chg.||Theaters||Weeks||AVG||Cumulative||Distributor|
|1||Pirates of the Caribbean: AWE||$ 44,206,660||$ 114,732,820||-61.5||4,362||2||$ 10,134||$ 217,545,728||Buena Vista|
|3||Shrek the Third||28,020,991||53,039,992||-47.2||4,109||3||6,819||255,927,783||Paramount|
|9||28 Weeks Later||1,214,942||2,543,831||-52.2||1,121||4||1,084||26,591,704||Fox|
|11||Wild Hogs||879,839||1,441,858||-39.0||368||14||2,391||164,485,571||Buena Vista|
|15||Away From Her||425,481||747,834||-43.1||275||5||1,547||3,208,980||Lionsgate|
|16||Paris Je T'aime||401,789||425,475||-5.6||79||5||5,086||1,424,122||First Look|
|17||The Invisible||355,188||975,535||-63.6||222||6||1,600||19,765,809||Buena Vista|
|18||Blades of Glory||303,028||570,679||-46.9||242||10||1,252||116,773,273||Paramount|
|20||Are We Done Yet?||274,096||311,473||-12.0||323||9||849||48,678,162||Sony|
|Top 5||$ 120,513,763||$ 188,429,839||-36.0|
|Top 20 vs. 2006||131,948,114||132,261,974||-0.2|
This column is updated three times each week: Thursday (upcoming weekend's summary), Sunday (post-weekend analysis with estimates), and Monday night (actuals). Opinions expressed in this column are those solely of the author.
Last Updated: June 4, 2007 at 7:45PM ET
Watch Gitesh Pandya's weekly box office preview on CNN International airing live each Friday at 9:50am ET.